
Clarification of used terms
I many of my texts I use all kinds of physical
or musical terms. To help people not familiar with both fields here a summary
of most used terms. If a term in another description below is colored grey, this means you can find it in this list.
12-TET Ð
12-TET is an abbreviation of 12 Tone Equal Temperament, which is the common
Western logaritmic scale and tuning as can be viewed on the fretboard of a
guitar. Each fret becomes slightly smaller and the octave is divided in 12
tones.
For further explanation read WhatÕs the 12-TET Western tuning?
3rd Bridge Ð
3rd Bridge is a term I use to describe a playing technique where an additional
bridge is positioned between the strings and the fretboard dividing the string
in two divisions. For further explanation read What is 3rd Bridge?.
Crescendo Ð
A crecendo is a part of a musical composition which increases in volume. A
Day in a Life of the Beatles is a
known example where this effect is being used.
Circle of Fourths Ð More common known is the Circle of Fifths, which is
the same only read the opposite way. A fourth means the fourth tone in a major or
minor scale. If you take the fourth of the fourth of the fourth, etc., you end
up in the first note after 12 steps. This circle is called the circle of
fourths and for musical theory a handy trick. If you do this with the fifth
tone you get the same serie only counterclockwise. Many of my instruments have
12 tones, tuned in the circle, because this is more convenient than a chromatic
order while playing.
Consonant Ð
Consonant means Ôsounds harmonicÕ or sounds
nice and easy for the less musical trained people. The opposite is dissonant.
Dissonant Ð
Dissonant means sounds a bit uneasy or wringing. People not used to atonal
music tend to find it annoying or bad sounding. I take the justification of
whatÕs dissonant broader than commonly done in musical theory. I find 2 tones
never dissonant, only 3 tones can be dissonant to my opinion when the
difference tones of those 3 tones are interfering with the at least one of the
actual tones. ThatÕs why I dislike driven 3 tone chords. To my opinion there is
no strict border for what is still consonant. I regard it a scale of decreasing
values leading to absolute dissonance when the difference tone is closer than
20 Hz (the border of our hearing) from one of the actual tones. A broader
clarification about this will follow as soon as IÕve time for it.
Extended technique Ð An unusual ÔnewÕ playing techique, different from what
usual is done on an instrument. The fretboard hammering of Eddie Van Halen for
instance. Hendrix had a wide variety of extended techniques available, because
he was left handed (the guitar allowed him to play different on it, because it
was upside down). For that particular reason I regard him the best guitar
player above any other guitar player, not for his flexible speed, where heÕs
most often credited for.
False Ð If
I ever use the word false this means Ôsounds badÕ. In Dutch we speak of ÔvalsÕ
when it sounds bad. In English the term Ôout of tuneÕ is used, which is a bit
uneasy for me, because many of my texts are about the out of tune aspect of the
12-TET Western musical scale. Improper is also
a used term in English, but false in Dutch is stronger and more negative.
Formants Ð
Formant overtones are all non-harmonic overtones which are related to the
material of instruments or its construction. Translated to a voice, when you
scream the sounds can clip to a higher note. This higher note is the first harmonic of the preceeding note. The formant notes
cause you can hear whoÕs voice is speaking. A woman has different formants than
a man and all people as well as all living animals also have different formants
individually. Inharmonic sound is caused by
formants. See also timbre.
Glissando Ð
A glissando is a falling or raising tone. Like the flute sound in animation
movies when someone falls from a building.
Harmonic Ð
Harmonic means Ôsounds consonantÕ or sounds
nice and easy for the less musical trained people. The opposite is inharmonic.
Inharmonic doesnÕt necessarilly imply it sounds bad. Most short sounds like
drums have inharmonic structures, which is the reason they donÕt lest long
(very little resonance). When I speak of Ôa
harmonicÕ this means an overtone with simple
fraction related to the open string. Playing a harmonic is the same as playing
a flageolet.
Harmonic series Ð The Harmonic series consists of 1:1/2:1/3:1/4:1/5:etc. when it comes to
string lengths. If you speak of frequencies it is 1:2:3:4:5:etc..
Helix of Consonance Ð When I speak of a Helix of
Consonance I mean a universal tendency of chaotic sound tending back
automatically to organised sound, which is harmonic
sound. Sound we human beings and all other living animals prefer, because we
are part of nature. The Helix of Consonance is one example of a physical
phenomenon called self-organisation. (see pic above or for more clarification
read my 3rd Bridge Helix article on
furious.com).
Inharmonic Ð
Inharmonic means some of the clear audiable overtones donÕt match very well
with the fundamental tone. They are not consonant
and not harmonic related. Inharmonic sound,
often mentioned in texts about piano tuning, is caused by formants.
Just Intonation Ð Just Intonation, a tuning based of equal frequency ratioÕs (3/2, 4/3, 5/4, etc.) derived from the harmonic series, instead of logaritmic relations, like the 12TET.
Microtonal
Ð see WhatÕs Microtonal Music?
Offset guitar
Ð is a guitar with a body shape
like the Fender Jazzmaster.
The typical triangle shape of my instrument is based on this distortion,
combined with the Vox Teardrop shape.
Overtone Ð
Overtones can be divided in harmonics and formants. Harmonic overtones as described above are consonant overtones related to the fundamental tone,
the lowest tone of a string. Formant overtones are all other overtones, which
are related to the material of instruments or its construction. Translated to a
voice, when you scream the sounds can clip to a higher note. This higher note
is the first harmonic of the preceeding note. The formant notes cause you can
hear whose voice is speaking. A woman has different formants than a man and all
people as well as all living animals also have different formants individually.
Prepared guitar Ð A prepared guitar is a guitar employed with extra objects on, under or inbetween
the strings to alter the sound of the instrument. A tremolo could be regarded a
preparation, but I tend to use the term exclusive when the player has added
something to the instrument himself. A slide is not really a preparation, but
an extended technique.
Resonance Ð
Resonance is difficult to explain in short, but is something like reflection,
only in sound instead of lght reflection. An echo is a type of resonance. The
wall reflects the sound he receives. Resonance is always harmonic related to the source.
Timbre Ð
Timbre is the combination of the fundamental tone plus all present harmonics and formant
overtones.
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